P. DUCREY, "Préface" K. COLEMAN, "Melior's plane tree: an introduction to the ancient garden" C. E. LOEBEN, "Der Garten im und am Grab - Götter in Gärten und Gärten für Götter: reale und dargestellte Gärten im Alten Ägypten" S. DALLEY, "From Mesopotamian temples as sacred groves to the date-palm motif in Greek art and architecture" E. PRIOUX, "Parler de jardin pour parler de créations littéraires" R. TAYLOR, "Movement, vision, and quotation in the gardens of Herod the Great" A. MARZANO, "Roman gardens, military conquests, and elite self-representation" B. BERGMANN, "The concept of boundary in the Roman garden" G. CANEVA, "Il giardino come espressione del divino nelle rappresentazioni dell'antica Roma" R. L. FOX, "Early Christians and the gardens: image and reality"
Coleman, Kathleen, and Rebecca Benefiel. 2013. “The graffiti.” Excavations at Zeugma Conducted by Oxford Archaeology, edited by William Aylward, 1: 178–191. Los Altos, CA: Packard Humanities Institute.
Preface by P. DUCREY; Introduction by K. COLEMAN and J. NELIS-CLEMENT;J. NOLLE "Stadtprägungen des Ostens und die 'explosion agonistique': Überlegungen zu Umfang, Aussagen und Hintergründen der Propagierung von Agonen auf den Prägungen der Städte des griechischen Ostens"; O. M. VAN NIJF "Political games"; C. KOKKINIA "Games vs. buildings as euergetic choices"; M. L. CALDELLI "Associazioni di artisti a Roma: una messa a punto"; J-P. THUILLIER "L'organisation des ludi circenses: les quatre factions (République, Haut-Empire)"; R. WEBB "The nature and representation of competition in pantomime and mime"; G. CHAMBERLAND "La mémoire des spectacles: l'autoreprésentation des donateurs"; C. JONES "The organization of spectacle in Late Antiquity".
This article identifies and analyzes bureaucratic features in the language employed by Pliny and Trajan in Epistles 10 as an example of communication between two officials of senior but unequal status who were engaged in managing provincial affairs in the Roman empire.
This book is the first full-scale edition of the so-called Liber spectaculorum by Martial. A comprehensive introduction addresses the role of epigram in commemorating monuments and occasions, the connection between spectacle and imperial panegyric in Martial's oeuvre, characteristics of the collection, possible circumstances of composition and 'publication', transmission of the text, and related issues. Each epigram is followed by an apparatus criticus, an English translation, and a detailed commentary on linguistic, literary, and historical matters, adducing extensive evidence from epigraphy and art as well as literary sources. The book is accompanied by four concordances, five tables, two maps, 30 plates, and an appendix.