Weiss, Naomi A., Margaret Foster, and Leslie Kurke, ed. 2020. Genre in Archaic and Classical Greek Poetry: Theories and Models. Boston: Brill. Publisher's Version

Weiss, Naomi A. 2008. “A Psychoanalytical Reading of Euripides' Ion: Repetition, Development and Identity.” Bulletin of the Institute of Classical Studies 51 (1): 39–50. Publisher's Version

Nagy, Gregory. 2013. “Virgil’s verse invitus, regina … and its poetic antecedents.” More modoque: Die Wurzeln der europäischen Kultur und deren Rezeption im Orient und Okzident, edited by P Fodor, G Mayer, M Monostori, K Szovák, and L Takács, 155–165. Budapest: Forschungszentrum für Humanwissenschaften der Ungarischen Akademie der Wissenschaften. Festschrift für Miklós Maróth zum siebzigsten Geburtstag.

Weiss, Naomi A. 2012. “Recognition and Identity in Euripides' Ion .” Recognition and Modes of Knowledge: Anagnorisis from Antiquity to Contemporary Theory, edited by T Russo, 33–50. Edmonton: University of Alberta Press.

Nagy, Gregory. 2013. “The Delian Maidens and their relevance to choral mimesis in classical drama.” Choral Mediations in Greek Tragedy, edited by Renaud Gagné and Marianne Hopman, 227–256. Cambridge: Cambridge University Press.

Weiss, Naomi A. 2014. “The Antiphonal Ending of Euripides' Iphigenia in Aulis (1475–1532).” Classical Philology 109: 119–129.