Religion and Ritual

Verso una poetica rituale
Yatromanolakis, D., and P. Roilos. 2014. Verso una poetica rituale. Lecce, Italia: Argo. Publisher's VersionAbstract

Il modello teorico di una poetica rituale proposta da D. Yatromanolakis e O. Roilos fonda una nuova problematica che si basa sulla inscrizione di forme rituali in più vasti sistemi d'espressione culturali e sociopolitici all'interno di varie tradizioni del mondo greco.
Il "caso greco", col suo materiale sterminato, contrassegnato da svariate continuità e discontinuità, spesso pieno di rimaneggiamenti ideologicamente ispirati nell'arco di tre millenni, offre un terreno certamente impegnativo ma fecondo per indagini comparative.
L'ipotesi è verificata in tre precisi ambiti di ricerca: Saffo e la lirica greca arcaica, il romanzo bizantino del XII secolo e l'opera poetica di Odysseas Elytis.

Le jardin dans l’Antiquité
Coleman, Kathleen, ed. 2014. Le jardin dans l’Antiquité. Vandoeuvres: Fondation Hardt. Publisher's VersionAbstract


P. DUCREY, "Préface"
K. COLEMAN, "Melior's plane tree: an introduction to the ancient garden"
C. E. LOEBEN, "Der Garten im und am Grab - Götter in Gärten und Gärten für Götter: reale und dargestellte Gärten im Alten Ägypten"
S. DALLEY, "From Mesopotamian temples as sacred groves to the date-palm motif in Greek art and architecture"
E. PRIOUX, "Parler de jardin pour parler de créations littéraires"
R. TAYLOR, "Movement, vision, and quotation in the gardens of Herod the Great"
A. MARZANO, "Roman gardens, military conquests, and elite self-representation"
B. BERGMANN, "The concept of boundary in the Roman garden"
G. CANEVA, "Il giardino come espressione del divino nelle rappresentazioni dell'antica Roma"
R. L. FOX, "Early Christians and the gardens: image and reality"

Henrichs, Albert. 2013. “Dionysos: One Or Many?.” Redefining Dionysos, edited by Alberto Bernabé, Miguel Herrero de Jáuregui, Ana Isabel Jiménez San Cristóbal, and Raquel Martín Hernández, 554–582. Berlin; New York: De Gruyter, 554–582.
The Ancient Greek Hero in 24 Hours
Nagy, Gregory. 2013. The Ancient Greek Hero in 24 Hours. Cambridge, MA; London: The Belknap Press of Harvard University Press. Publisher's VersionAbstract

The ancient Greeks’ concept of “the hero” was very different from what we understand by the term today, Gregory Nagy argues—and it is only through analyzing their historical contexts that we can truly understand Achilles, Odysseus, Oedipus, and Herakles.

In Greek tradition, a hero was a human, male or female, of the remote past, who was endowed with superhuman abilities by virtue of being descended from an immortal god. Despite their mortality, heroes, like the gods, were objects of cult worship. Nagy examines this distinctively religious notion of the hero in its many dimensions, in texts spanning the eighth to fourth centuries BCE: the Homeric Iliad and Odyssey; tragedies of Aeschylus, Sophocles, and Euripides; songs of Sappho and Pindar; and dialogues of Plato. All works are presented in English translation, with attention to the subtleties of the original Greek, and are often further illuminated by illustrations taken from Athenian vase paintings.

The fifth-century BCE historian Herodotus said that to read Homer is to be a civilized person. In twenty-four installments, based on the Harvard University course Nagy has taught and refined since the late 1970s, The Ancient Greek Hero in 24 Hours offers an exploration of civilization’s roots in the Homeric epics and other Classical literature, a lineage that continues to challenge and inspire us today.

Henrichs, Albert. 2012. “Animal Sacrifice in Greek Tragedy: Ritual, Metaphor, Problematizations.” Greek and Roman Animal Sacrifice: Ancient Victims, Modern Observers, edited by CA Faraone and FS Naiden, 180–194. Cambridge: Cambridge University Press, 180–194.
Henrichs, Albert. 2012. ““So sprach mein Herr und Meister”: Selbstaussagen Manis, aufgezeichnet von seinen Schülern.” Meister und Schüler in Geschichte und Gegenwart: von Religionen der Antike bis zur modernen Esoterik, edited by Almut-Barbara Renger, 161–178. Göttingen: V&R Unipress, 161–178.
Greek Ritual Poetics
Yatromanolakis, Dimitrios, and Panagiotis Roilos, ed. 2005. Greek Ritual Poetics. Washington, DC: Center for Hellenic Studies, Trustees for Harvard University. Publisher's VersionAbstract

Investigating ritual in Greece from cross-disciplinary and transhistorical perspectives, Greek Ritual Poetics offers novel readings of the pivotal role of ritual in Greek traditions by exploring a broad spectrum of texts, art, and social practices. This collection of essays written by an international group of leading scholars in a number of disciplines presents a variety of methodological approaches to secular and religious rituals, and to the narrative and conceptual strategies of their reenactment and manipulation in literary, pictorial, and social discourses. Addressing understudied aspects of Greek ritual and societies, this book will prove significant for classicists, anthropologists, Byzantinists, art historians, neohellenists, and comparatists interested in the interaction between ritual, aesthetics, and cultural communicative systems.

Προς μία τελετουργική ποιητική
Roilos, Panagiotis, and Dimitrios Yatromanolakis. 2005. Προς μία τελετουργική ποιητική. Athens: Ekdoseis Alexandreia. Publisher's VersionAbstract

Greek edition of Towards a Ritual Poetics, translated by Emmanuel Skouras, and including a Preface by Marcel Detienne.

Towards a Ritual Poetics
Yatromanolakis, Dimitrios, and Panagiotis Roilos. 2003. Towards a Ritual Poetics. Athens: Foundation of the Hellenic World. Publisher's VersionAbstract

The book Towards a Ritual Poetics by Dimitrios Yatromanolakis, Assistant Professor of Classical Studies at John Hopkins University, and Panagiotis Roilos, Assistant Professor of Modern Greek Studies at Harvard University, is an interdisciplinary study regarding the incorporation of the rituals in cultural expression at different moments of Hellenic history. Three representative and slightly researched cases are examined, in a wide time framework, through which a methodological model is proposed, the notion of ritual poetics, aiming at comparing different aspects between rituals and socio-political expression.